Format | Structure | Strains | Msrs / Strain | Basic | Total | Music | ||||||||||||||||

Name | Music | P E? | to Year | Match? | Number Couples | Type | Sub Type | Arr | Parts | Verses | S&T | Note | A | B | C | A | B | C | Repeat Structure | Repeat Structure | Same as Plfd? | Notes |

Moll Peatlye | Y | 4 | 1698 | Y | 4 | R | L | 3 | US(A/H) | Y | Y | 2 | 5 | AABB | x3 | |||||||

Noah's Flood | 4 | K | L | 1 | U | Y | Y | 2 | 4 | AABBB | (x4)x4? | - | 4 repeats allows man 1 to dance with each of the 4 women, and then it could all repeat again 3 more times so each man can be man 1 | |||||||||

Tenn Pounde | Y? | 4 | 1716 | N | AMAYP | x | 3 | US(U?) | - | - | - | - | - | - | - | - | - | The dance instructions are so incomplete that it is unreconstructable | ||||

The Milking Payle | Y | 1 | 1716 | N | 3 or 4 | R | L | 3 | USH | split | Y | Y | 4 | 6 | AABB | x3 | Y | |||||

The Highway to Westminster | 4 | R | L | 3 | USU | split | Y | Y | Y | 4 | 4 | 4 | AABBCC | x3 | - | |||||||

Ladys Piller | Y | 1 | 1690 | Y | AMAYP | R | L | 3 | USU | split | Y | 4 | Ax5 | x3 | Y | |||||||

The Cherping of the Nightingall | Y | 1 | 1690 | N | 3 or 4 | K | L | 1 | U | after | Y | Y | 2 | 4 | AAAABB | (x3/x4)x3/x4 | N | Dance is repeated once for each couple, so x3 or x4 depending. Then, since each man is allowed (if they wish) to be the kidnapper/man 1, that's either 3 or 4 more times through the whole thing | ||||

The Wind Mille | 4 | R | S or L | 3 | USU | Y | Y | 2 | 6 | AABB | x3 | - | ||||||||||

The Gipsys | Y | 1 | 1728 | Y | 3 or 4 | R | L | 3 | USU | the verse has o | Y | Y | 4 | 2 | ABBB 2xABB | x3 | Y | |||||

The Goddisses | Y | 1 | 1716 | Y | at least 5 | R | L | 11 | x | Y | Y | 2 | 2 | AABB | x11 | Y | ||||||

Lightly Love | Y? | AMAYP | K | L | 1 | U | after | Y | Y | 4 | 4 | AA(Bx6) | (xN)xN | - | Same as Noah's Flood and Cherping, but with as many people dancing as will | |||||||

Trenchmore | Y | 2 | 1728 | ~ | AMAYP | P | VC | L | Y | Y | 4 | 2 | (A(BxN)x2) | AAi + x3 | Intro = AA, then each of the 3 progressive figures is repeated twice (x2), and N = the repeats required to do each requested change | |||||||

The Old Man with a Bed Full of Bones | Y | 1 | 1728 | Y | 3 or 4 | K | N | L | 3 | USH | split | Y | 4 | Ax6 | x3 | Y | ||||||

A Mayden Fayre | Y | 1 | 1698 | Y | 3 or 4 | P | I | L | Y | 8 | AxP | Ai + x3 | Y | Progression formula: P = 3 * (n-1); 1 repeat for the intro, 3 progressive figures | ||||||||

Cuckles all a Row | Y | 1 | 1728 | Y | 2 | R | S | 3 | USA | Y | Y | 2 | 4 | AABB | x3 | Y | ||||||

Tom a Bedlam, or Grays Inn Maske | Y | 1 | 1690 | Y | at least 1 | R | L | 3 | USA | verses split by c | Y | Y | 4 | 20 | AAB | x3 | Y | The B strain is actually made up of 4 substrains, a=2, b=2, c=2, d=4: aabbccdd | ||||

St Johns | Y | 1 | 1728 | Y | 4 | R | S | 3 | x | Y | Y | 4 | 4 | AABB | x3 | Y | ||||||

Boone Companion | 3 or 4 | x | Y | Y | 4 | 4 | AABB | x3? | - | Instructions incomplete | ||||||||||||

Step Stately | Y | 1 | 1698 | Y | 3 | x | Y | Y | 2 | 2 | AABB | x3? | Y? | Instructions incomplete | ||||||||

The Picking of Stickes | Y | 1 | 1698 | Y | 3 | R | L | 3 | U | Y | Y | 2 | 4 | Var | x3 | N | Varried repeats: 1st time, AA(BBx6); 2nd, (AABBx4); 3rd, AABB | |||||

Jack Pudding | Y | 1 | 1690 | Y | 3 | R | T | 3 | Y | Y | 2 | 4 | AABB | x2 + AABBBB | N | Last repeat requires 4 repeats of the B strain | ||||||

Roses white and roses red | Y | 1 | 1690 | Y | AMAYP | P | I/D | C | 3 + I | Y | 4 | AxP | Ai + x3 | N | Progression formula: P = ((Nx5)-5) | |||||||

Harts ease | Y | 1 | 1690 | Y | 2 | R | S | 3 | USA | Y | Y | 2 | 4 | AABB | x3 | Y | ||||||

Tumbling Jone | 4 | R | L | Y | Y | 2 | 4 | AABB | x3 | - | ||||||||||||

Greenwood | Y | 1 | 1690 | Y | 3 | R | L | 2 | Y | 4 | AAv + Ax5 | x2 | N | AAv = 2 repeats of A for the verse; about 5 repeats of A is the max the chorus takes | ||||||||

Natly | AMAYP | P | I | Y | 4 | AxP | AAi + x3 | - | Progression formula: P = 3 * (n-1); 2 repeats for the intro, 3 progressive figures | |||||||||||||

A Helth to Betty | Y | 1 | 1728 | Y | AMAYP | P | VC | L | 3 | USA | split | Y | 4 | AAv + var | x3 | Y | AAv = 2 repeats of A for the verse; 1st figure repeats as ((Nx3)-1), 2nd and 3rd figures repeat as ((N-1)*3) | |||||

Bobbin Jone | Y | 1 | 1728 | N | AMAYP | P | VC | L | 3 | USA | after | Y | Y | 2 | 2 | Xv + P | x3 | Y | X = AABB; P = X * ((N-1)*3) | |||

Murry | 4 | R | S | 2 | Y | Y | 2 | 4 | AABB | x1 + X | - | X = AA(Bx?), where ? = the number of times to repeat B for the last hey by dancers' choice | ||||||||||

Jogg On | Y | 1 | 1698 | Y | AMAYP | P | I | L | 1 | Y | 4 | P | AAi + x1 | N | Progression formula: P = ((N-1)*3) | |||||||

Good your Worship | 50! | P | P | L | 1 | - | ||||||||||||||||

The Fryer and the Nunne | Y | 1 | 1728 | Y | AMAYP | P | I | L | 1 | Y | 8 | P | AAAi + x1 | N | Progression formula: P = ((N-1)*3); three times through A for the intro, one figure | |||||||

Type = type of dance | ||||||||||||||||||||||

R = regular verse/chorus (16) | ||||||||||||||||||||||

K = kidnap (4) | ||||||||||||||||||||||

P = progressive (9) | ||||||||||||||||||||||

x = can't reconstruct (3) | ||||||||||||||||||||||

Sub Type = type of (usually) AMAYP | ||||||||||||||||||||||

VC = verse/progressive chorus (3) | ||||||||||||||||||||||

I = intro then figures (5) | ||||||||||||||||||||||

D = dance with (1) | ||||||||||||||||||||||

P = promenade (lead couple goes to bottom - that's it) (1) | ||||||||||||||||||||||

N = no progression (kidnap/kidnap back) (1) | ||||||||||||||||||||||

Number of couples: | ||||||||||||||||||||||

>=1 (1) | ||||||||||||||||||||||

2 (2) | ||||||||||||||||||||||

3 (4) | ||||||||||||||||||||||

3 or 4 (6) | ||||||||||||||||||||||

4 (7) | ||||||||||||||||||||||

>=5 (1) | ||||||||||||||||||||||

50 (1) | ||||||||||||||||||||||

AMAYP (10) | ||||||||||||||||||||||