| Row Well ye Marriners | |
| for a line of as many couples as will | |
| Three is as good a number as any, needing fewer repeats as well. | |
| Reconstructed by Master Trahaearn ap Ieuan (in the proceedings of KWDS4) | |
| Music: | none. It takes 8 repeats of the music to get 3 couples all the way around and back to their places. |
| Part 1 | |
| Verse 1, Part A | |
| 1&2: | The only couple that moves for this part is couple 1. Forward a double and back. |
| Verse 1, Part B | |
| 1&2: | That again. Face your partner. |
| Verse 1, Part C | |
| 1: | Two slips left (each your own left) - these are slow, two in a full measure. |
| 2: | Two slips right (as before). |
| Verse 1, Part D | |
| 1: | Double back away from your partner. |
| 2: | Double forward. |
| Chorus 1, Part A | |
| 1: | Clap your hands, clap right hands with your partner, clap your hands, clap left hands with your partner (1 beat each). |
| 2: | Clap your hands, clap your (own) chest, clap your hands, clap both hands with your partner. |
| Chorus 1, Part B | |
| 1-2: | As above, starting with left hands. |
| Part 2-n | |
| Verse 2-n, Part A | |
| 1&2: | Pass your partner on the left to side left with the new partner. |
| Verse 2-n, Part B | |
| 1&2: | Side right with your new partner. |
| Verse 2-n, Part C | |
| 1: | Two slips left (each your own left) - these are slow, two in a full measure. |
| 2: | Two slips right (as before). |
| Verse 2-n, Part D | |
| 1: | Double back away from your partner. |
| 2: | Double forward. |
| Chorus 2, Part A | |
| 1: | Clap your hands, clap right hands with your partner, clap your hands, clap left hands with your partner (1 beat each). |
| 2: | Clap your hands, clap your (own) chest, clap your hands, clap both hands with your partner. |
| Chorus 2, Part B | |
| 1-2: | As above, starting with left hands. |
| Repeat until everyone is back where they started. Each dancer will work their way to the top of the set, change over to the other gender's side, then work down that side, changing back at the bottom, etc. | |
| As you return to your place, fall out, with the other dancers adjusting as needed (changing across early, etc.). | |