| La Graziosa | |
| a balletto for three | |
| Source: AW Smith (NYP), reconstructed by Dafydd Cyhoeddwr | |
| Music: Una Festivita Della Danza (DHDS) (two full measures of intro) | |
| Starting position: side by side (woman in the middle) | |
| Section 1: | |
| 1-3 | Three saltarelli tedesci, left, right, left |
| 4 | A doppio, right, and mezavolta |
| 5-7 | Three "passi of Angielosa", which we will take to be doppi portogallessi (diagonally), left, right, left |
| 8 | A voltatonda with a doppio, right |
| Section 2: | |
| 9&10 | Middle takes End 1 (on middle's left) by the right hand and circles with four contrapassi |
| as End 2 circles back to place with four contrapassi | |
| 11&12 | Middle takes End 2 by the left hand and circles with four contrapassi |
| as End 1 circles back to place with four contrapassi | |
| 13&14 | Middle departs with two (passi of Angielosa) doppi portogallessi, left and right, and turns to face the ends |
| 15&16 | Ends almost catch up with two sempi, left and right, and a doppio, left |
| Section 3: | |
| 17 | Riverentia standing face to face |
| 18&19 | Everyone continues forward (opposite from each other) two doppi, left and right, then mezavolta |
| 20 | Ripresa, left |
| 21&22 | Volta del Gioioso (two sempi, right and left, ripresa, right) |
| Section 4: | |
| 23-25 | The ends take right hands and circle all the way around with two sempi and two doppi, starting left |
| as the middle approaches them with two sempi and a doppio starting left, then goes back into place between them and mezavoltas | |
| 26&27 | All do two riprese, left and right |
| 28 | Riverentia |
| Section 5: | |
| 29-34 | The middle starts a hey, going right first, in six piva, touching (or taking) hands as they go |
| The dance repeats | |