Corona
	a bassadanza for three in a file
	Source: AW Smith (2 mms), reconstructed by Dafydd Cyhoeddwr
	Music: Sonare et Balare (DHDS) (not quite a full measure for intro)
Starting position: The word "fila" is used for position, which means "one behind the other", or "column", so the dancers
	should be lined up one behind the other. Note that due to the complete lack of interaction between the dancers,
	the reference in one mms to "perform{ed} like La Mignotta", and the notes in La Mignotta of many people being
	able to do the dance at once, this may well be another "as many as will" dance.
Section 1:
1	Two sempi, left and right
2	Cambiamento (literally "change") to shift feet: ref scambiate from 16th C Italian:
	jump onto the left toe, put right foot under left heel, swing left foot forward and around, then jump slightly to
	land with feet together, weight on left
3&4	Two doppi, right and left
5	Cambiamento right (switch weight to right)
6	One doppio, left
7	Two sempio, right and left; mezavolta with a jump
8	One doppio, right; mezavolta
9&10	Two riprese, left and right
11	Cambiamento, left (switch weight to left)
12&13	Two doppi, right and left; mezavolta
14&15	Two doppi, left and right
16	Cambiamento, left (switch weight to left); mezavolta
17	Voltatonda right
18	Ripresa left to mezavolta
19	Voltatonda left
20	Ripresa right to mezavolta
21	Two continentie, left and right
Section 2:
22&23	Two riprese, left and right
24	Jump onto the left foot and quickly do a doppio, right
25	Ripresa left, diagonally forward
26	One sempio, left, pause
27	Ripresa left, diagonally forward
28	Voltatonda
29	Riverentia
	Repeats
	There is a note in Rvat that translates to something like:
	This is a very challenging (fortissima = very strong, so formidible?) bassadanza, not for people who scribble
	on paper, appropriately the crown of the others.
	This is a tricky dance to reconstruct. I've had to use the created music to make some choices, relying on the
	DHDS's expertise to be a good guide. In measures 3 & 4, the mms says there are two doppi on the right, and
	then one on the left - I've turned those into just two doppi, right and left. In measure 7, the mms separates the
	two sempi with some extra description between - I've combined them (perhaps inaccurately). In measures 17
	to 20, there is an instruction for performing four actions of quadernaria in the misura of bassadanza, followed by
	the voltatondas/mezavoltas and ripresas (turning back) - I've presumed that the voltas and ripresas are the
	same as the four misura.
	And, of course, the cambiamento. I looked up "cambiamento" and found that it means change. A DHDS booklet
	indicates that cambiamento (and scambiamento, which means switch) might refer to a weight/foot change. I
	looked to 16th century Italian dance for the scambiate (form of scambiare, means exchange) step, and have
	used that here.