| Chorona Gentile | |
| a bassadanza for four couples | |
| Source: AW Smith (NYP), reconstructed by Dafydd Cyhoeddwr | |
| Music: Il Bel Danzare (DHDS) as Corona Gentile (pick up intro) | |
| Starting position: two couples (side by side?) on one side of the hall and two on the other side (literally) | |
| The groups seem to need to be about six doppi apart | |
| Section 1: | |
| 1 | Everyone does two continentie, left and right |
| 2-4 | The two groups approach each other with three doppi, left, right, left |
| 5 | Riverentia |
| 6 | Two small sempi (passettini) backwards, right and left; mezavolta |
| 7 | Ripresa left |
| 8&9 | Volta del Gioioso (two sempi, right and left, ripresa right) |
| 10 | Two continentie, left and right |
| 11-13 | Return to starting position with two sempi, left and right, and two doppi, left and right; mezavolta |
| 14&15 | Two riprese, left and right |
| 16 | Two continentie, left and right |
| Section 2: | |
| 17&18 | The men exchange places with two doppi, left and right, the one on the left going in front of his partner, the other going above him |
| at the same time, the women circle to their places with two doppi, left and right | |
| 19 | Ripresa left |
| 20&21 | Volta del Gioioso (two sempi, right and left, ripresa right) |
| 22 | Two continentie, left and right |
| Section 3: | |
| 23-25 | The groups approach each other with two sempi, left and right, and two doppi, left and right |
| 26 | Two continentie, left and right |
| 27 | Each man touches the right hand of the woman in front of him with a riverentia |
| 28 | Two small sempi (passettini) backwards, right and left; mezavolta |
| 29-31 | Return to starting position with two sempi, left and right, and two doppi, left and right; mezavolta |
| 32 | Ripresa left |
| 33&34 | Volta del Gioioso (two sempi, right and left, ripresa right) |
| 35 | Two continentie, left and right |
| Section 4: | |
| 36-41 | The groups approach and pass with six saltarelli, starting left |
| 42 | Riverentia |
| 43 | Two small sempi (passettini) backwards, left and right; mezavolta |
| 44&45 | Two riprese, left and right |
| 46 | Two continentie, left and right |
| Section 5: | |
| 47&48 | The men switch back with two doppi, left and right, the one on the left going in front of the woman, the other going above him |
| at the same time, the women circle to their places with two doppi, left and right | |
| 49 | Join hands and do a ripresa left |
| 50&51 | Volta del Gioioso (two sempi, right and left, ripresa right) |
| 52 | Two continentie, left and right |
| Section 6: | |
| 53&54 | The groups approach with two doppi, left and right |
| 55-57 | The men go to the woman who is in front of them with two sempi, left and right, and two doppi, left and right |
| at the same time, the women do a ripresa left and a Volta del Gioioso (two sempi, right and left, ripresa right) | |
| 58 | Everyone does two continentie, left and right |
| 59&60 | The men take the right hands of the women in front of them and circle with two sempi, left and right, and a doppio, left |
| 61&62 | Taking left hands, they circle back to place with two sempi, right and left, and a doppio, right |
| 63 | Two continentie, left and right; the men mezavolta |
| 64-66 | The men return to their partners with two sempi, left and right, and two doppi, left and right |
| at the same time, the women do a ripresa left and a Volta del Gioioso (two sempi, right and left, ripresa right) | |
| 67 | Two continentie, left and right |
| Section 7: | |
| 68 | The two groups approach with two sempi, left and right; mezavolta |
| 69 | Ripresa left |
| 70-72 | The groups return to their starting places with three doppi, right, left, right; mezavolta |
| 73 | Ripresa left |
| 74&75 | Volta del Gioioso (two sempi, right and left, ripresa right) |
| 76 | Riverentia |
| Dance does not repeat | |