| Belriguardo (for two) novo | |
| a balletto for two | |
| Source: AW Smith (NyP), reconstructed by Dafydd Cyhoeddwr | |
| Music: Sonare et Balare (DHDS) | |
| Starting position: side by side, holding hands | |
| Section 1: | |
| 1-12 | 12 saltarelli starting with the left foot, drop hands |
| Section 2: | |
| 13&14 | Man leaves with two doppi |
| 15&16 | Woman catches up with two doppi |
| 17&18 | Man leaves with 3 contrapassi, turns to face the woman (either in a mezavolta at the end, or during the steps) |
| 19 | Both do 2 continentie. |
| 20&21 | Woman catches up with 3 contrapassi, and the man mezavoltas to face with the woman at the end |
| 22&23 | Both do 2 riprese, left and right together. |
| Section 3: | |
| 24&25 | Face and take right hands, do two saltarelli in a circle |
| 26&27 | Without dropping hands, do two ripresa, left and right |
| 28&29 | Take left hands, do two saltarelli in a circle |
| 30&31 | Without dropping hands, do two ripresa, left and right |
| Section 4: | |
| 32&33 | Facing forward, do 2 sempi and a doppio, starting left |
| 34&35 | Volta del Gioioso (2 sempi, right and left, to turn, and 1 ripresa right) |
| 36 | 2 continentie, left and right - at the end, mezavolta so that the woman leads if the dance repeats. |
| Sonare version does repeat | |
| Note: this dance works to the same music that the other two versions of Belriguardo use, and it follows the broad | |
| pattern of those dances. I've made some choices between the options in the manuscripts based on trying to keep | |
| the dance consistent with both the music and with the other dances - specifically, the NyP manuscript says to do | |
| 4 contrapassi, but there is only music for 3. Notably, the NyP manuscript version of the old Belriguardo indicates | |
| that that dance should also have 4 contrapassi in the same place - again, the music would seem to forbid that. | |