The first two book notes are below. However, now that I have a blog, I will not be adding new books to this page. To see the latest book notes, visit http://scottstein.powerblogs.com.
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Book Notes The first two book notes are below. However, now that I have a blog, I will not be adding new books to this page. To see the latest book notes, visit http://scottstein.powerblogs.com. Jonathan Strange and Mr Norrell, by Susanna Clarke Note entered: March 22, 2006 I don’t know that I’ve read anything quite like Jonathan Strange and Mr Norrell. It’s been called a novel of the fantastic, which it clearly is, since the story revolves around two magicians. It’s been called a novel of manners in the tradition of Jane Austen, for its portrayal of English life and its close attention to character and relationships. But this is unlike any fantasy novel I can recall. And while Clarke skillfully employs literary devices to give the reader the sensation of reading a novel from early 19th Century Britain, once I was immersed in the story, it made me think of nothing but itself. Maybe we sometimes forget why we first fell in love with reading novels. Jonathan Strange and Mr Norrell is a welcome reminder. I got lost in another world, enjoyed all of the nearly 800 pages, and didn't worry when the plot seemed to be advancing slowly. The novel is so rich with joyful invention (including footnotes that sometimes are stories unto themselves), it didn’t matter, when the end approached, that I knew it could not pay off with the sort of meaning and impact we sometimes demand from our fiction. I was happy to just bask in the pleasure of the journey. The Life of Pi, by Yann Martel Note entered: October 2, 2005 You know the old story—boy stranded in a lifeboat in the middle of the ocean with a full-grown Bengal tiger. Martel’s skill in making the implausible plausible is impressive—the tale practically drips with authenticity. We care so much about the protagonist Pi, believe so fully his plight, the pages keep turning. It’s a shame the ending goes postmodern, creating doubt that any of it happened, after the author did good work to make us certain that it did. There’s a bit about meeting up with another lifeboat that also stretches credibility, even in a novel that has a fantastic premise to begin with. Lesson: trust your story, make it real, and respect your reader’s belief in your work—which Martel does most of the novel. Too bad the author or his editor did not choose to leave postmodern literary games out of it. Still, The Life of Pi sucked me in and held me, even if I felt let down and found myself skimming the last few pages. Despite the ending, highly recommended. Copyright ©
by Scott Stein 2005-2007. All rights
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